Saturday Night at the Movies
By Dennis Hartley
“That’s my man right there…love this guy…the most popular politician on Earth.” – President Obama in 2009, upon meeting then-Brazilian president Lula da Silva
“They say he’s the Donald Trump of South America…Do you believe that? And he’s happy with that. If he wasn’t, I wouldn’t like the country so much. But I like him.” – President Trump in 2019, commenting on current Brazilian president Jair Bolsonaro
Politics ain’t beanbag (as the saying goes). It can be a nasty business. Latin American politics have a particular rep for volatility; historically an ever-simmering cauldron of violent coups, brutal dictatorships, revolving door regimes and social unrest. In my 2012 review of Lula: Son of Brazil, Fabio Barreto and Marcelo Santiago’s stirring yet frustrating biopic about the former president of Brazil Luis Inacio Lula da Silva I wrote:
[…] Luis Inacio Lula da Silva’s life journey from dirt-poor shoeshine boy to benevolent world leader (he served as president from 2003-2010) seems tailor-made for the screen, with the major players in his life plucked straight out of Central Casting […] You have the Strong Saintly Mother (Gloria Pires), the Drunken Abusive Father (Milhem Cortaz), and the Childhood Sweetheart (Clio Pires, pulling double duty as The Young Wife Who Dies Tragically). […]
We watch Lula (played as an adult by Rui Ricardo Diaz) come of age; he graduates from a technical school, gets a factory job, loses a finger in a lathe mishap, and marries his childhood sweetheart. His first marriage ends tragically, after which he begins (at the encouragement of his brother and to the chagrin of his mother) to gravitate toward leftist politics. […]
By the time he becomes a union official in the late 70s, he finds himself at loggerheads with the military-controlled government of the time. After officials identify him as one of the prime movers behind a series of major work strikes, he is arrested and jailed. After prison, the increasingly politicized Lula helps create Brazil’s progressive Worker’s Party in the early 80s, and then…and then…the film ends.
Ay, there’s the rub, and the main reason why political junkies may find this slick, well-acted production inspiring on one hand, yet curiously unsatisfying on the other. […]I found myself wondering “what happened next?!”, and asking questions like: What did he do to earn declaration as Brazil’s most beloved president, with an approval rating of 80.5% during the final months of his tenure? What inspired President Obama to greet him at the G20 summit with “That’s my man right there…love this guy…the most popular politician on Earth”? […]
The film left me hanging like a chad on a Florida ballot. But, as Fate would have it I was listening to “Democracy Now” while driving to work the other day (as progressive pinko NPR-listening Lefties often do) and lo and behold – I found out “what happened next” :
JUAN GONZÁLEZ: We begin today’s show in Brazil, where former President Luiz Inácio Lula da Silva was freed from prison Friday after 580 days behind bars. Lula’s surprise release came after the Brazilian Supreme Court ruled to end the mandatory imprisonment of people convicted of crimes who are still appealing their cases. Lula has vowed to challenge Brazil’s right-wing President Jair Bolsonaro in the 2022 elections. During a rally on Friday soon after his release, Lula warned about Bolsonaro’s ties to violent militias.
LUIZ INÁCIO LULA DA SILVA: [translated] “Bolsonaro was democratically elected. We accept the result of the election. This guy has a mandate for four years. Now, he was elected to govern the Brazilian people, and not to govern the militia in Rio de Janeiro. … I want to build this country with the same happiness that we built it when we governed this country. My dream isn’t to solve my problems. Today I’m a guy that doesn’t have a job, a president without a pension, not even a television in my apartment. My life is totally blocked. The only thing I’m certain of is that I have more courage to fight than ever before.”
AMY GOODMAN: Lula was serving a 12-year sentence over a disputed corruption and money laundering conviction handed down by conservative Judge Sérgio Moro, an ally of current far-right Brazilian President Jair Bolsonaro. After that, he became the justice minister. Lula has long maintained his innocence. Earlier this year, The Intercept revealed Moro aided prosecutors in their sweeping corruption investigation, known as Operation Car Wash, in an attempt to prevent Lula from running in 2018 election. This cleared the path for Bolsonaro’s victory. At the time of his imprisonment in April 2018, Lula was leading the presidential polls.
Wow. If Lula pulls it off in 2022, it would be the political comeback story of the century. But that chapter is yet to be written. The current political reality in Brazil is somewhat tenuous, precipitated in part by the ascension of the aforementioned President Bolsonaro.
President …who? Here’s a refresher from the New York Times, dated March 19, 2019:
Like other authoritarian leaders Mr. Trump has embraced since taking office, Mr. Bolsonaro is an echo of the American president: a brash nationalist whose populist appeal comes partly from his use of Twitter and his history of making crude statements about women, gay people and indigenous groups.
“They say he’s the Donald Trump of South America,” Mr. Trump marveled during a speech to the Farm Bureau in January, noting that Mr. Bolsonaro had been called the “Trump of the tropics” since taking office this year. “Do you believe that? And he’s happy with that. If he wasn’t, I wouldn’t like the country so much. But I like him.”
“Something” changed in Brazil’s sociopolitical sphere in the 8 years that elapsed between 2010, when the progressive populist Lula left the presidency with an unprecedented 80.5% approval rating, and 2018, when far-right candidate Bolsonaro won the election.
In her extraordinarily intimate documentary The Edge of Democracy (now available on Netflix) Brazilian actress and filmmaker Petra Costa suggests there is something much more insidious at play in her country than a cyclical left-to-right shift. Costa’s film delves into the circumstances that led to the impeachment of former President Dilma Rousseff (Lula’s hand-picked successor) and Lula’s imprisonment (which began in April of 2018).
Costa begins with a recap of the military dictatorship in Brazil that began with a 1964 coup and effectively ended in 1989 with the first election of a president via popular vote in 29 years, then moves on to cover Lula’s 8-year tenure (2003-2010), which brought a great deal of positive social change in the country through various progressive programs.
However, the honeymoon began to sour during the presidency of Lula’s successor Dilma Rousseff. Elected in 2011, Rousseff (a former member of a leftist guerilla group that fought against the military dictatorship-which led to a 2-year imprisonment from 1970-1972 during which she endured torture) largely upheld the ideals of her predecessor, but was impeached and removed from office in 2016 as a result of the “Car Wash” scandal.
What separates this film from an informative but dry episode of “Frontline” is Costa’s deeply personal perspective. The 36 year-old director points out that she is approximately the same age as Brazil’s hard-won democracy, and makes no bones about the fact that her parents were passionate left-wing activists who openly railed against the dictatorship.
But the real coup for Costa (no pun intended) is the amazing accessibility she was given to President Rousseff and ex-President Lula during times of particularly high drama in their lives. This lends urgency and adds a “fly on the wall” element to the palace intrigue.
There is something Shakespearean about the rise and fall of the two leaders, which gives the film the feel of a byzantine political thriller. There is also a Kafkaesque element. In one scene, a visibly scandal-weary Rousseff candidly alludes to the protagonist in “The Trial” with a heavy sigh. “Do you really feel like ‘Josef K’?” someone asks. “Yes,” she replies with a sardonic chuckle, “I feel just like Josef K…but Josef K with an attorney.”
The film’s most dramatic moments derive from the footage Costa was able to get while she was essentially holed up for 3 days with Lula at a trade union hall while he vacillated over turning himself in. When Lula announces he is ready to face the music, a crowd of his supporters tries to stop him from doing so, forming a human blockade between him and the police outside the hall waiting to arrest him. As you watch Lula give an impassioned speech to his supporters (many of them in tears) to explain his decision and reassure them everything will be fine, you understand why people are so drawn to him.
This is the most powerful documentary about South American politics since Patricio Guzman’s The Battle of Chile. It is also a cautionary tale; we have more in common with Brazil than you might think. As Costa observed in an interview on “Democracy Now”:
“…Brazil has the third-largest incarcerated population in the world. It’s a huge crisis, similar to the United States. And we need an urgent judiciary — like, prison reform and judiciary reform that will make our judiciary system more efficient. I think the mistake that many people fall into is thinking that constitutional rights can be abused to have a more efficient system. The danger with that is that today Lula’s constitutional rights can be abused, tomorrow mine, tomorrow yours. And where do we stand as a democracy?”
Where do WE stand as a democracy? As politicians say, “that’s an excellent question…”
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